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A hilarious black comedy about a male chauvinist getting his comeuppance when kidnapped by a mad plastic surgeon intent on carving out a career for himself as a creative practitioner of Modern Art.
Michael Armstrong is on mischievous top form here with his original uncut 1989 screen play complete with a fully detailed writing history, casting intentions and sadly the reasons why he never realised it on film. Foreword by Christopher Biggins.
